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- The Digital Easel - Issue #18
The Digital Easel - Issue #18
Sophie Taeuber-Arp, Indi Björnsson, zancan and more!
March 9th, 2024
Happy Saturday! Forgive me for cutting the preamble short this week. Today marked the end of my 16 year old cat’s life as we made the difficult decision to help her go peacefully instead of declining further.
The show goes on though, and we’re diving into the work of an influential woman in the Dada movement in honor of Women’s Day.
Artist Spotlight - Sophie Taeuber-Arp (1889- 1943)
Career
Sophie Taeuber-Arp, born on January 19th, 1889 in Davos, Switzerland was the fifth child in her large family. Her early exposure to the arts was encouraged by her parents, leading to a fascination with textiles at an early age. She pursued an education in textile design, attending the School of Applied Arts in St. Gallen, Switzerland, before moving on to the Kunstgewerbeschule in Hamburg, Germany, and later to Munich, where she deepened her engagement with modern art movements. Her early fascination with dance and movement would later influence her abstract artistic creations, integrating rhythm and dynamism into her visual works.
After completing her studies, Taeuber-Arp moved to Zurich, where she became a significant figure in the city's burgeoning artistic community. She taught textile design at the Zurich School of Applied Arts and became involved with the Dada movement. Her involvement with Dada introduced her to Hans Arp, her future husband, and she actively participated in the movement's activities, including performances and exhibitions. Notably, she performed at the Cabaret Voltaire, a hub for Dada artists.
Taeuber married Hans Arp in 1922. Their partnership was both personal and professional, with the couple collaborating on numerous artworks and projects. They shared a studio space in Clamart, France, and worked together on abstract compositions, reliefs, and sculptures. One of her most significant contributions to modern art and architecture was her work on the Aubette building in Strasbourg. Together with Hans and Theo van Doesburg, Taeuber-Arp designed the interiors of this entertainment complex, creating one of the most comprehensive environments of modernist design.
In the 1930s, Taeuber-Arp's work continued to evolve, with a growing emphasis on geometric abstraction and composition. Her work from this period includes painted wood reliefs, architectural designs, and fine art pieces that explore the balance between form and color. The outbreak of World War II forced her and her husband to flee France for the south, and eventually, they returned to Switzerland. Despite the challenges posed by the war, Taeuber-Arp continued to produce art, including a series of abstract paintings that further solidified her reputation.
Taeuber-Arp’s career was tragically shut short when she died in 1943 from accidental carbon monoxide poisoning caused by a malfunctioning stove in her home in Switzerland.
Contributions to the Art World
Taeuber-Arp is considered one of the first women to have a significant impact on the development of abstract art. Her exploration of geometric abstraction and composition in textiles, paintings, and reliefs was groundbreaking, paving the way for future developments in abstract and concrete art.
She was a forerunner in the multidisciplinary approach to art, seamlessly integrating painting, sculpture, textile design, architecture, interior design, and dance. This holistic approach emphasized the unity of art and life, a principle that would become central to modern and contemporary art practices.
As a central figure in the Dada movement, particularly in Zurich, Taeuber-Arp contributed significantly to the movement's exploration of absurdity, performance, and the rejection of traditional art forms. She was also an accomplished dancer and puppeteer, creating and performing avant-garde dances and designing a set of abstract puppets for a Dada performance of "King Stag," showcasing her multidisciplinary talents. Her participation in Dada activities, including the performances at the Cabaret Voltaire, showcased her commitment to the avant-garde and its potential to challenge societal norms.
Through her work, especially in the later stages of her career, Taeuber-Arp made significant contributions to the development of Constructivism and Concrete Art. Her geometric compositions and abstract designs explored the relationships between form, color, and space, influencing the direction of these movements.
Style
A hallmark of Taeuber-Arp's style is her use of geometric forms and lines to create abstract compositions. Unlike some of her contemporaries who embraced more organic forms, Taeuber-Arp's work often featured grids, circles, and rectangles arranged in harmonious patterns that conveyed a sense of balance and rhythm.
Taeuber-Arp was trained in textile design and brought a craftsman's attention to detail and materials to all her artistic endeavors. This background informed her approach to fine art, leading her to treat all forms of artistic expression with equal seriousness. Her work blurs the lines between traditional "high" art forms like painting and "low" arts or crafts like weaving, suggesting a democratic view of artistic production.
Her color palette was both subtle and sophisticated, using color to enhance the spatial dynamics of her compositions. Taeuber-Arp employed both muted and vibrant colors, but always in a way that served the overall harmony of the piece. Her understanding of color theory is evident in the way she juxtaposed hues to create depth and movement within her abstract works.
Drawing on her interest in dance, her compositions often exhibit a sense of rhythm and movement. Her arrangements of shapes and lines suggest a dynamic interplay, much like dancers moving in space. This rhythmic quality imbues her static artworks with a lively, kinetic energy.
Her style was also marked by a collaborative spirit, often working alongside her husband Hans and other artists. This openness to collaboration allowed for a cross-pollination of ideas and mediums, enriching her work and leading to innovative hybrid forms.
Influences and Lessons
Sophie Taeuber-Arp's work was shaped by a confluence of artistic movements and personal interests that informed her unique approach to art. Her early education and career in textile design were grounded in the principles of the Arts and Crafts Movement, which emphasized craftsmanship and the decorative arts. This foundation instilled in her a profound respect for materials and the process of making, regardless of the distinction between fine art and craft.
Her involvement with the Dada movement in Zurich introduced her to experimental approaches to art, encouraging the use of humor, absurdity, and performance. Dada's emphasis on anti-art and its critique of societal conventions likely reinforced her belief in the power of art to challenge and transcend traditional boundaries.
The broader modernist avant-garde, with its radical rethinking of art and aesthetics, provided a context for Taeuber-Arp's explorations. The work of contemporaries like Piet Mondrian, who also pursued a form of pure abstraction, influencing her own abstract compositions.
Her abstract compositions, characterized by their geometric precision and rhythmic patterns, highlight the expressive potential of non-representational forms. Her work encourages artists to consider how abstract elements like shape, color, and line can convey emotion and conceptual depth. Despite her avant-garde inclinations, she maintained a deep commitment to craftsmanship, reminding us of the value of technical skill and material understanding in art-making. Her meticulous approach to textiles, beading, and woodwork speaks to the importance of mastering one's craft.
Only when we go into ourselves
and attempt to be entirely true
to ourselves will we succeed
in making things of value.
Style Representation
floral art by Lois Dodd
Want to explore over 5,000 artist studies for Stable Diffusion SDXL? Check out the site I created: SDXL 1.0 Artistic Studies
Collectors Corner - Indi Björnsson & zancan
After a hiatus, Indi Björnsson is back with a new collection. The first 3 pieces in a larger collection, “Flesh Frost Saga”, were dropped on objkt this week, and from the story in the description of each piece it’s going to be an epic ride. Join Adrian Douglas Porter and crew aboard the Atticus vessel as they embark on an expedition to uncover the secrets of Antarctica.
The Crew
Indi Björnsson - Flesh Frost Saga Collection
zancan needs no introduction, and as a huge fan of generative art he’s one my favorite artists in the space. Normally his work is priced way out of my modest collecting budget, but I was able to mint my first piece from the Landscape with Carbon Capture series released in 2022.
I kicked myself for not knowing about the latest massive open edition collection Aux Arbres until after it ended, but managed to scoop up 3 pieces on secondary to add to the vault. As a side note, minting on Base is a dream compared to the Ethereum mainnet. Gas is an order of magnitude cheaper, and only cost around $1.75. Layer 2 chains feel like the future.
If you also missed out, there are a ton of pieces available on secondary starting around 0.00055 Eth.
Aux Arbres #64847
zancan - Aux Arbres
Final Thoughts
Owning pets is an odd choice to make when you think about it. We take on the care of an animal we know won’t live as long as us and will inevitably have to say goodbye to. But we do it because they bring us joy and companionship. Bo was pushed into my life when an ex-girlfriend moved out of state after college and couldn’t take her along and she was my buddy ever since.
Rest in peace, Bo.
As always, if you enjoyed this edition I would really appreciate if you shared it. Just hit the share button below. And if you’re not following me on X yet, I’d love to follow you back.
On that note, I’ll leave you with a quote about turning loss into something beautiful:
How lucky I am to have something that makes saying goodbye so hard.
Enjoy your weekend, friend!
P.S. If you have feedback I’d love to hear it! A reply to this email goes directly to me.
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