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- The Digital Easel - Issue #9
The Digital Easel - Issue #9
Andrew Wyeth, Ren, Arkhan and more!
January 6th, 2024
Happy Saturday! We just wrapped up the first week of 2024; hopefully things are looking promising for your new goals and hopes for the year. If it’s been a bit of a downer week, that’s ok too. I just learned that post-holiday depression is a real thing, and it makes sense. The holidays are kind of an emotional high, and coming down to baseline (and for a lot of us, going back to work 🙃) can take a mental toll. But thankfully, it should pass with some time.
Our artist highlight definitely features someone coming off a wildly successful professional high….keep reading to find out!
Artist Spotlight - Andrew Wyeth (1917-2009)
Career
Andrew Wyeth was born on July 17th, 1917 in Chadds Ford, Pennsylvania. Due to his poor health he was homeschooled and under the guidance of his father, N.C. Wyeth, a renowned illustrator, he received rigorous training in drawing and painting from a young age. This early education heavily influenced his initial artistic style. Wyeth's early works were primarily watercolor landscapes, showcasing his adept handling of the medium and attention to detail. These pieces often depicted the rural landscapes around his home in Pennsylvania and his summer retreat in Maine. His first solo exhibition was at the Macbeth Gallery in New York in 1937. It was a success, selling out and helping establish Wyeth as a promising young artist.
During the 1940s and 1950s, Wyeth's style evolved as he began to work more with egg tempera, a medium that allowed for greater precision and depth in his paintings. This period marked a shift to a more muted color palette and a focus on detailed, realistic depictions. One of his most famous paintings, "Christina's World" (1948), was created during this period. This painting exemplifies Wyeth's ability to convey emotion and narrative through landscape and figure painting. His work continued to gain popularity, and he became known for his hauntingly realistic and emotionally charged paintings, often featuring the people and landscapes familiar to him.
In the 1980s, Wyeth revealed a series of more than 240 paintings and drawings of his neighbor, Helga Testorf, created in secret over 15 years. This series brought both controversy and renewed interest in his work. In his later years, Wyeth's style remained consistent with his detailed, realistic approach. However, there was often a deeper sense of introspection and solitude in these works. Up until his death in 2009, Wyeth continued to paint, leaving behind a vast and impactful body of work. He received numerous awards and honors, and his paintings have been exhibited in major galleries and museums worldwide.
Contributions to the Art World
At a time when abstract expressionism and other non-representational art forms were dominant, Wyeth's commitment to realism was significant. He helped revive interest in figurative painting and detailed representation. His dedication to his craft and his success with a traditional medium in the modern era have inspired generations of artists. His work demonstrates the enduring power and relevance of realism in contemporary art.
His depictions of the landscapes and people of Pennsylvania and Maine provided a poignant and deeply personal view of rural American life, highlighting aspects often overlooked in modern art. Wyeth's paintings often tell stories or suggest narratives, filled with emotion and personal connections. This approach has reinforced the importance of narrative and emotional depth in visual art. Frequent portrayal of solitude and introspection resonates with viewers, highlighting the artist's role in exploring and depicting the human experience.
Wyeth’s influence extends beyond the realm of painting. The narrative quality, attention to detail, and emotional depth of his work have impacted photographers, filmmakers, and writers.
Style
Wyeth's paintings are noted for their precise detail and clarity. He had an exceptional ability to capture the intricate textures and nuances of his subjects, whether it was the weathered wood of a barn or the subtle expression on a person's face. He skillfully used light and shadow to create mood and atmosphere, often employing stark contrasts that add a dramatic quality to his works.
Beyond physical realism, Wyeth's paintings convey a deep sense of the inner life and emotions of his subjects. His landscapes and portraits are often infused with a sense of melancholy, solitude, or contemplation. Many of his paintings have a narrative quality, suggesting stories or histories behind the people and places he depicted. This storytelling aspect invites viewers to engage with his works on a deeper level.
Wyeth is renowned for his mastery of the drybrush watercolor technique and his use of egg tempera. These techniques allowed him to achieve a high level of detail and texture, which became a hallmark of his style. Despite the detail in his work, Wyeth often used an economy of stroke, meaning he could convey a great deal with minimal brushwork. This efficiency added to the stark, unembellished feel of his paintings.
A recurring theme in Wyeth's work is the feeling of isolation and solitude. His landscapes are often devoid of human presence, and his portraits frequently depict individuals in reflective, solitary states.
Influences and Lessons
Wyeth’s father was his primary teacher and a significant influence. N.C. Wyeth's dramatic and narrative style in illustration set a foundation for his interest in storytelling through art. His father was a student of Howard Pyle, a renowned illustrator. Pyle's teachings about narrative art indirectly influenced Wyeth through his father.
Growing up in Pennsylvania and spending summers in Maine provided Wyeth with a deep connection to the American landscape and rural life, profoundly impacting his choice of subjects. He was also influenced by his siblings, particularly Henriette and her husband Peter Hurd. They introduced him to the egg tempera technique, which became central to his style.
Wyeth's personal experiences, including his close relationships with his subjects, particularly in Chadds Ford, Pennsylvania, and Cushing, Maine, deeply influenced his thematic choices and artistic perspective.
Wyeth's ability to evoke complex emotions through simple, everyday scenes teaches the power of simplicity in art. His work demonstrates that profound stories can be told through understated imagery. Wyeth’s meticulous attention to detail and his observational skills underscore the importance of truly seeing and understanding one's subject matter. His paintings encourage artists to look closely and deeply at the world around them. Wyeth's paintings are emotionally resonant, often reflecting feelings of solitude, introspection, and longing. This authenticity in capturing human emotion is a powerful lesson for artists in any medium.
I search for the realness, the real feeling of a subject, all the texture around it... I always want to see the third dimension of something... I want to come alive with the object
Style Representation
art by Andrew Wyeth
Want to explore over 5,000 artist studies for Stable Diffusion SDXL? Check out the site I created: SDXL 1.0 Artistic Studies
Collectors Corner
Arkhan is doing something really cool to support the Tezos art community. This is the first open edition I’ve seen where 100% of the profit is going to be spent to support emerging and small artists. The OE will have about 3 days left once this goes out so be sure to jump in and support this effort. It’s only 1 $XTZ and the art is fantastic!
Arkhan - A New Year’s Wish
Artist Highlight - Ren 🤌
I first ran into Ren in an old Twitter group, and when that dissolved we both ended up as part of the MAIF collective. I’ve seen his evolution from classical Renaissance inspired pieces to the incredible anime inspired universe he created with his latest blockbuster drop with BrainDrops, “Paradise Lost”. 500 pieces sold out in 4 minutes and it’s amassed trading volume of 27 Eth in one week.
Here’s his bio in his own words:
“After many years of traditional painting Ren embraced AI to evolve his classic style and explore new ways of expression. Ren merges the old masters' style with modern aesthetics using instinctive brush strokes, layered lights and hidden meanings.”
I have to say the first contact with AI art and hands on with the tools. The ability to surpass rigid concept of styles and mediums and just concentrate on the subject really enabled my imagination to explode at full potential, releasing years for ideas put aside for lack of time or passion.
If you mean exposure and vulnerability of own feelings and ideas I have a simple recipe for that. Always put everything on canvas and never explain what's going on. I can make the concept clear in writing but I'll never explain what was going on inside me when I decided to create it. That also enables the viewers to make up their interpretations, and I think that's one of the great purposes of art. To make other people think without feeding them an answer.
Art often requires a balance between discipline and spontaneity. Can you discuss a time when a spontaneous change of direction in your work led to a breakthrough or a significant change in your approach?
This is basically the thing I like the most about creating with AI. It WILL push you constantly in different directions than the one you envisioned first, because of the random nature of its outputs. And being them created from studying millions of image I like to think about it as the whole artistic and visual world production inspiring and influencing me during the creative process. Art really is a collective effort.
If you could have a conversation with one artist, past or present, who has significantly inspired you, who would it be and what would you ask them about their own creative practice?
I wouldn't ask any artist anything. I would be influenced too much. I like to keep that part of the process to my subconscious. I would however like to have a conversation with music guru Rick Rubin. His views on the creative process and his visions on making the essential shine are what I strive for when I create and going forward, when I curate (also part of any AI artist process).
Are there any pieces or collections that you want to direct readers to check out?
Please check my BrainDrops collection "Paradise Lost". I'm preparing a graphic novel from the artworks and I think this will be a huge world to build and explore in my artistic career.
Final Thoughts
I was talking with a good friend this week about the chase for perfection in AI and how the more photorealistic and perfect the models get, the more…special the older models that were full of glitches were. We chased the ever illusive perfect composition, generating hundreds of images to find that one diamond. It almost feels like something artistic has been lost now with the latest updates to popular tools. Maybe I’m in the minority here, but one thing I do know is that experimentation is the key to keeping things fresh.
That same friend gave me the idea of using older AI images in DALLE-3 and I have to say, it’s been fun giving life to old images. It’s a little crazy to think that this image is a product of 3 “generations” of AI tools; initially created with JAX 2.4, then used as an initial image in Pytti, and finally 2 years later used as an image prompt in DALLE. Keep experimenting and horde those images, friends!
As always, if you enjoyed this edition I would really appreciate if you shared it. Just hit the share button below. And if you’re not following me on X yet, I’d love to follow you back.
On that note, I’ll leave you with a quote that reminds me the best art is personal:
I paint my own reality. The only thing I know is that I paint because I need to, and I paint whatever passes through my head without any other consideration.
Enjoy your weekend, friend!
P.S. If you have feedback I’d love to hear it! A reply to this email goes directly to me.
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