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- The Digital Easel - Issue #42
The Digital Easel - Issue #42
Franz Sedlacek, rahul, dehiscenceart and more!
September 28th, 2024
Happy Saturday! Earlier this month I mentioned I was working on a piece for an upcoming show and I’m excited to announce that it’s finally here! The piece will be part of a MAIF exhibit launching on 9/30 and shown at the Canvas 3.0 Gallery in the Oculus World Trade Center in NYC. The MAIF collective exhibited at that same gallery back in April for NFT.NYC and it’s a fantastic little spot. If anyone is in NYC and can make it, I’ll have the RSVP link at the end.
Since you’re here for the art, let’s get to it. This week we’re taking a look at a very unique artist from the interwar period in Europe.
Artist Spotlight - Franz Sedlacek (1891-1945)
Career
Franz Sedlacek was born on January 21, 1891, in Breslau (now Wrocław, Poland), which was then part of the German Empire. His family moved to Linz, Austria, during his childhood, and he spent most of his formative years there. From a young age, Sedlacek displayed an exceptional talent for drawing and painting, and he pursued these interests alongside his academic studies.
After completing his secondary education, he moved to Vienna in 1910 to study architecture at the Technical University. However, his passion for art soon led him to enroll at the Academy of Fine Arts Vienna, where he studied under the guidance of notable professors like Franz Rumpler and Rudolf Jettmar. During his time at the academy, Sedlacek honed his technical skills and was exposed to a variety of artistic movements, including the Secessionist and Expressionist styles that were influential in Vienna at the time.
Sedlacek's early works were influenced by the dominant artistic trends of his time, including the Viennese Secession and Symbolism. However, he quickly developed his own unique style that combined elements of traditional painting with a dark, almost mystical atmosphere. He was associated with the Vienna Secession, a group of avant-garde artists who sought to break away from academic art and explore new artistic forms and ideas.
One of his key early influences was the work of German and Austrian Symbolists like Gustav Klimt and Franz von Stuck, whose use of allegory and symbolism resonated with his own artistic sensibilities. Sedlacek’s early paintings often featured fantastical scenes with mythological and allegorical themes, rendered in a detailed and almost photographic style that would become a hallmark of his later work.
In the 1920s and 1930s, Sedlacek’s work began to evolve into a style that can best be described as Magic Realism, a movement characterized by a realistic depiction of the mundane, juxtaposed with fantastical or surreal elements. His paintings from this period are distinguished by their meticulous attention to detail, often depicting eerie, deserted landscapes or unsettling interior scenes populated by strange, ghostly figures.
Landschaft mit Nebelmeer - 1921
Song in the Twilight - 1931
In the late 1930s, Sedlacek’s work began to reflect the growing political tensions in Europe. His paintings from this period often have a darker, more foreboding quality, as if anticipating the coming catastrophe of World War II. Despite the oppressive political climate, he continued to work and exhibit his paintings in Vienna and beyond.
Landschaft mit Jäger - 1934
During World War II, Sedlacek was drafted into the German army, despite being in his late forties. He served on the Eastern Front, where the harsh conditions and brutality of war had a profound impact on him. In 1945, as the war was drawing to a close, Sedlacek was reported missing in action during the Soviet offensive in Poland. His fate remains unknown, and he was never seen or heard from again.
Contributions to the Art World
Sedlacek's disappearance and mysterious fate have only added to the enigmatic quality of his work. Today, his paintings are celebrated for their unique blend of realism, surrealism, and magic realism, and they continue to captivate audiences with their haunting beauty and unsettling atmospheres.
He is considered one of the key figures in the development of Magic Realism, a movement that sought to capture the strangeness and mystery of reality. His ability to render fantastical scenes with photographic precision influenced many later artists, both in Austria and internationally.
Although his work was not widely known during his lifetime, Sedlacek’s paintings have gained increasing recognition in recent decades. Contemporary artists and critics have rediscovered his work, appreciating its psychological depth and its exploration of themes that remain relevant today, such as alienation, the absurdity of modern life, and the relationship between humanity and nature.
Style
Sedlacek’s paintings often evoke a sense of existential unease and alienation. His meticulously rendered figures, usually depicted in contemplative or melancholic poses, seem isolated and disconnected from their surroundings. This atmosphere of estrangement is heightened by his use of stark, artificial lighting and his preference for nocturnal or twilight settings.
While his paintings are rendered in a highly realistic style, they often contain surreal or fantastical elements that disrupt the sense of normality. These might include ghostly apparitions, bizarre creatures, or other supernatural phenomena. These surreal elements are often subtle, making the viewer question what is real and what is imagined.
Despite the often grim and melancholic tone of his work, Sedlacek’s paintings occasionally contain elements of dark humor and satire. This is particularly evident in his depiction of bourgeois society and its absurdities, which he often portrayed with a sense of irony and detachment.
Influences and Lessons
Sedlacek’s work is imbued with a dark, almost medieval atmosphere that reflects the influence of Gothic art. The elongated, somewhat exaggerated forms of his figures, along with his use of somber, muted color palettes, harken back to the medieval and Gothic tradition. His fascination with haunted landscapes, ghostly apparitions, and supernatural themes can also be traced to Gothic art and literature.
His precise, detailed rendering of scenes and his fascination with the macabre echo the visual style of medieval woodcuts and illuminated manuscripts. This influence is evident in his careful line work and his ability to create complex, symbolic compositions that tell a story.
The Symbolist movement, which emerged in the late 19th century, had a profound impact on Sedlacek’s artistic development. Symbolist artists sought to depict the inner world of emotions, dreams, and the subconscious, often using mythological or fantastical imagery to convey deeper truths. This focus on the metaphysical and the mystical resonated with his own artistic sensibilities.
Sedlacek’s work teaches us the power of exploring the uncanny—the strange, eerie feeling that arises when the familiar becomes unfamiliar. His paintings challenge viewers to look beyond the surface of reality and to confront the unsettling and the unknown. This approach encourages artists and creatives to delve into the ambiguous and the mysterious, using their work to evoke strong emotions and provoke thought.
I depict the dark sides of human existence and look to reflect the incomprehensible, the strange, and the enigmatic.
Style Representation
art by Franz Sedlacek
Want to explore over 5,000 artist studies for Stable Diffusion SDXL? Check out the site I created: SDXL 1.0 Artistic Studies
Collectors Corner - rahul & dehiscenceart
One of the coolest features of rodeo.club is being able to link to existing projects when you mint a piece. This lets an artist post WIPs or pieces that didn’t make the cut into the final collection, letting you collect a little piece of work that you might not be able to otherwise.
Pattern testing by rahul
Daily Doodle 22.0 by dehiscenceart
Another great Rodeo piece by the amazing dehiscenceart, part of her Daily Doodle’s series. I’m sad to say I haven’t collected too many of the series (I have a love/hate feeling towards the 24 hour minting window 🫠 ) but I’m glad to have such a striking piece now.
Final Thoughts
As promised, here is the link to RSVP to the DE[construct]ed MAIF event in NYC on 9/30/24.
The exhibited pieces will be available in an FND world and going live at 11:00 AM.
If you’d like to read about the process I went through on this piece, here’s the X thread:
Monday, 9/30.
The Oculus World Trade Center.
Thread below....
— 𝐑𝐢𝐤𝐤𝐚𝐫.tez.eth | #omencollective | #MAIF (@socalpathy)
5:36 PM • Sep 28, 2024
As always, if you enjoyed this edition I would really appreciate if you shared it. Just hit the share button below. And if you’re not following me on X yet, I’d love to follow you back. I’m also on Warpcast!
On that note, I’ll leave you with a quote that I needed to hear and maybe one of you do too:
Keep your face always toward the sunshine, and shadows will fall behind you.
Enjoy your weekend, friend!
P.S. If you have feedback I’d love to hear it! A reply to this email goes directly to me.
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